two gloved hands press around a helicoptering heart his ears rabbit, his retinas shine, a wet forest prince mama is mothering, she hoofs circles around us and breathes hot anger on my neck with a click, the fawn is fitted with a telemetry collar and I wonder if that means he is now mine I am always foraging even though my hands are empty, I name the animals: odocoileus hemionus, radiolarian chert, arctostaphylos manzanita and I wonder if that means they are now mine the woman Eve had a great business of naming and I was raised in her tradition if the language I speak was a verb it would be the act of standing, pointing, and saying, “Look!” a prayer is a promise of work so let this be mine my research will instead be a neighboring my foraging a greeting and my view of the forest a peopling they say wilderness is a place you can visit but never stay: lest you or that wilding place become what either of you are not these are what the settlers of hard ecologies will tell you as if people haven’t been gardening for thousands of years or the gardens wilding the people I once collared a forest prince while his mother beat her breast and cursed me the Deer People must frown at me now maybe the adrenaline I felt when my hands pressed his knubby, precious body was a kincentric snap of connection a transforming of us into relatives a relationing, which is really an upholding of consent and reciprocal obligation or maybe it was more of a remembering this process is slow meanwhile, young, angry princes harden into bucks and bloody their antlers with stripped velvet
In Braiding Sweetgrass, Dr. Robin Wall Kimmerer describes Potawatomi as a language that is based on a grammar of animacy and English as a language that is based on a grammar of objectification. English is primarily composed of nouns, whereas the majority of Potawatomi words are verbs. Inspired by Dr. Robin Wall Kimmerer’s book, the above poems plays with personification, verbs, and scientific jargon to question how we can redefine the way we communicate with the ecological world.

Leave a comment